Sculpture and dance are siblings. Both evoke body awareness and are present in space.
Dance creates rhythm through movement and lives in transience. Sculpture condenses visual rhythms into a lasting spatial architecture. Postures and gestures tell stories, volumes and proportions illustrate characters. By modeling a figure, we express a physicality, articulate a concept of style and formulate a world of imagination.
Observations of nature, plant, animal or human bodies are the starting point for the modeling studies.
Course program:
In order to be able to model a free-standing figure with the soft clay,
we reinforce it with a reinforcement. Delicate sculptures are also made
stable and fireable, with a load-bearing inner skeleton of elastic wire and absorbent fibers.
wire and absorbent fibers. A targeted, careful bonding of the three
three materials with each other enables the combination of the three
material properties.
Day 1: Drawing and sketching
Day 2: Shaping the wire skeleton
Day 3: Preparations for volume build-up
Day 4: Modeling
Day 5: Modeling, observation
We draw the expression and proportions of the body. With the help of the drawings
the skeleton, to which we sew plant fibers and then model the figure with clay.
the figure with clay.
Accompanying substructure with stylistics, art history of sculpture,
history of the development of the human image.
Course objective:
To cultivate and develop the human image with contemporary formal language.
Refine anatomical knowledge. Deepen body awareness and body expression
deepen.
Reflecting on artistic questions: plastic means of expression,
sculptural interpretation and sculptural composition.
Course language: German.
Language skills Course management: IT / FR / EN